Previously, we explored the inner understanding of Perek Beis, in which the raging nations represent the forces within a person that resist rootedness, obligation, and alignment with Hashem.

We now turn to the historical perspective of the mizmor. Here, that same struggle appears not within the soul, but on the battlefield of Dovid HaMelech’s life, as the nations rise against his newly established kingship.

In the next essay, we will turn to the future vision of Gog u’Magog, where this resistance reaches its final form.

To understand the historical context of the perek, it is worth first returning to the events described in Shmuel Beis, perek 5.

The Navi tells us that all the shevatim came to Dovid in Chevron and declared him Melech. This was the third stage of Dovid’s anointing. First, Shmuel anointed him privately. Then Shevet Yehudah accepted him as Melech. Finally, the ziknei Yisrael came to Chevron and accepted him as Melech over all of Klal Yisrael.

From there, Dovid went to capture …

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Everyone wants the rewards of alignment. Far fewer people want the roots that make it possible.

Chazal teach that there is not an absolute division between the first two chapters of Tehillim. Perek Aleph and Perek Beis are, in some sense, one unit. The Gemara1 notes that this unit begins with אשרי and ends with אשרי, Perek Aleph begins with אשרי האיש, and Perek Beis concludes with אשרי כל חוסי בו.

The Gemara continues that any mizmor of Tehillim that begins with אשרי and ends with אשרי was especially beloved to Dovid HaMelech. Tosafos2 asks why Chazal state this as a general rule if this is the only place in Tehillim that follows that exact pattern.

The Rashba3 explains that the point is broader. It does not have to be specifically אשרי. Rather, when a section concludes in the same way that it begins, it creates a fuller form of praise. The Rashba adds that this is the basis for the structure of many berachos, whose endings reflect their openings.

The Chasam Sofer4 adds that this pattern is e…

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Tehillim The Language Of The Soul

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As we explained in the introduction, Tehillim gives expression to every state of the human soul. It is a structure that shows us from the very start , how a person should be aligned spiritually.

Tehillim begins:

“אַשְׁרֵי־הָאִישׁ אֲשֶׁר לֹא הָלַךְ בַּעֲצַת רְשָׁעִים וּבְדֶרֶךְ חַטָּאִים לֹא עָמָד וּבְמוֹשַׁב לֵצִים לֹא יָשָׁב”

The Targum translates Ashrei as טוביה דגבר, “the good of man.” A person is considered good when he is spiritually aligned.

Rav Aharon Kotler1 explains that the continuation of the pasuk teaches that even when a person is spiritually aligned, he must remain cognizant of his surroundings. The moment that alignment weakens, he begins to slide down a slippery slope.

Rav Elchanan Wasserman2 adds that a person cannot assume that nothing will happen to him. One must always be careful to maintain that alignment.

It is interesting that Dovid HaMelech chose to begin Tehillim in a negative tense. Instead of describing that one is fortunate to walk with tzaddikim, stand with the up…

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This project is an attempt to understand Tehillim more deeply. Tehillim is a central part of Jewish life, with its perakim forming much of our tefillah and its pesukim shaping our songs of yearning and inspiration.

While we do not necessarily know the precise order in which Tehillim was written, nor the authorship of every chapter, the order we have is rooted in our mesorah. There are ten expressions of praise found throughout Tehillim—ניצוח, ניגון, מזמור, שיר, הלל, תפילה, ברכה, הודאה, אשרי, and הללויה—each reflecting a different mode of song, prayer, or spiritual expression.

This structure corresponds to the ten primary contributors to Tehillim, aside from Dovid Hamelech: Adam, Avraham, Malki Tzedek, Asaf, Heiman, Yedusun, the three sons of Korach—Asir, Elkana, and AviAsaf—and Moshe Rabbeinu…

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